Skip to main content

British Museum Archives

Entrance to the British Museum

On a drizzly Tuesday morning we made our way to The British Museum where we were met by Archivist, Francesca Hillier. She gave us a very in-depth tour of a space that has not be open to the public for quite some time. Due to its standing as an historical building, no alterations can be made, therefore Ms. Hillier and her staff are focussed on working with the space in the most efficient and practical way possible. Shelves, desks, lighting, etc. must all remain as they are which may be somewhat frustrating but some aspects that must remain are really special. For example, there are hidden doorways disguised as books shelves as the entrance to stairs to get from the lower to upper level!

Inside the British Museum Library and Archives which is closed to the public

Fun Fact: The British Museum used to house The British Library before the 1990s.

Recently, Ms. Hillier discovered mold in the lower levels of the storerooms of the archives so there was a massive project to get items sent out to be professional cleaned.

Francesca Hillier showing us the deed from Sir Hans Sloane whose items were the founding collection of the museum (and who also invented hot chocolate).

Ms. Hillier has a small staff of five part-time volunteers but has a great deal of material to catalog and care for. She discussed with us the importance of forming strong connections with other department leaders and directors so that an archive is well-utilized and recognized as a valuable asset that needs constant attention and upkeep.
Better view of one of one of the false doorways to stairs.

I asked Ms. Hillier what it is that she would need to really feel like she could tackle the gargantuan task of cataloging this collection and her answer was: five full-time staff to handle the backlog and then two full-time staff moving forward once that was taken care of.

Once again the issue of storage and dwindling space was discussed. Once the collection is cataloged they will be able to focus on digitization but they will still need to keep original copies. It is an ever-present theme throughout our visits that space is limited or quickly disappearing or altogether gone. The financial, logistical, historical, etc. restraints quite often create a conundrum for the archivists in charge.

Comments

Popular posts from this blog

The National Art Library at the V&A

Walking into The National Art Library located at the Victoria & Albert Museum  is like walking onto a movie set for a period film. If it weren't for the contemporary and studious patrons, seated at the desks with their laptops and smartphones, it would seem like an untouched time capsule. The reading room, which was the first room in the V&A to have electric lighting. (Image source: Megan Doyle ) We were separated into two groups and off we went on our tour of the back rooms of The National Art Library. My group's guide, Cassandra Gilbert-Ward led us to the rooms that house the majority of the collection and from which the librarians retrieve materials. There are 25 staff members and they fall under the Word & Image Department within the museum and there are about 10 individuals staffed daily public retrieval. She went on to tell us that the collection is publicly accessible and all an interested researcher needs to do is become a registered member. The lib...

King's College London : Archives and Special Collections

The Weston Room where we were treated to coffee, tea, and biscuits before our tour. On another lovely London day we made our way to King's College where we met Head of Special Collections, Katie Sambrook and Special Collections Manager, Adam Ray. Before showing us a selection of fascinating pieces from their collection they discussed with us the scope and purpose of the collection. This staff of 8 oversees the Liddell Hart Centre for Military Archives, King's College London Archives, and the Foyle Special Collections Library. They encourage all students and staff of King's College to use Archives & Special Collections and seek assistance from the knowledgable staff but the also welcome the public. An item with Benjamin Franklin's signature in the upper right corner In their work to bring people to the Archives & Special Collections they  create exhibitions and  supply images of rare books and archives for conferences, festivals, fundraising, a...

Going Underground

Though I was not able to visit Wales, the work done there in safeguarding the collections of so many institutions in the UK makes it worth mentioning. I am interested in how libraries and archives survive in times of conflict. The factors involved in: the initial decision to move the collection, the choice of where to move the collection, the work involved in preparing the chosen site, etc. are all things that could lead to saving priceless works or the destruction of so much. Many of the same places that house Britain's fine art also housed their library collections and archives. One example of wartime relocation of fine art was The National Gallery .  Image from The National Gallery website A slate mine in Wales was chosen and unused sections of it were converted into storerooms for the collection. The temperature controlled environments in these mines even led to adjustments to how works of art were stored and displayed once the war was over back at the museum. The...